.web is a generic top-level domain that will be awarded by ICANN to one of seven registry applicants. The .web TLD will be in the official root once ICANN awards the registry contract.
Historic information about .web
.web was operated as a prospective registry, not in the official root, by Image Online Design since 1995. It originated when Jon Postel, then running the top level of the Domain Name System basically single-handedly, proposed the addition of new top-level domains to be run by different registries. Since Internet tradition at the time emphasized "rough consensus and running code", Christopher Ambler, who ran Image Online Design, saw this as meaning that his company could get a new TLD into the root by starting up a functional registry for it. After asking and receiving permission from IANA to do so, IOD launched .web, a new unrestricted top level domain.
Since then IOD has tried to get their domain into the official root through several plans to admit new top-level domains. Several new-TLD plans in the late 1990s, including Postel's original proposal, failed to reach sufficient consensus among the increasingly contentious factions of the Internet to admit any new TLDs, including .web. When ICANN accepted applications for new TLDs in 2000 which resulted in the seven new domains added soon afterward, IOD's application was not approved; neither was it officially rejected, however, since all unapproved applications remain in play for possible future acceptance. A second round of new TLDs, however, was done entirely with new applications, and only for sponsored domains (generally intended for use by limited communities and run by nonprofit entities). The .web registry remains hopeful, however, that their application will eventually be approved. On May 10, 2007, ICANN announced the opening of public comments towards a new, third round of new gTLDs, a round in which IOD has not participated.
Job is a single standing bronze figure placed at the Allen Whitehill Clowes Pavilion main entrance of Herron School of Art and Design, near New York Street. Job portrays a bald man looking upward while wearing a long open overcoat. The figure is shirtless with his palms facing outward. The figure likely represents the biblical character Job, the central character of the Book of Job in the Hebrew Bible, as well as a prophet in Islam. The sculpture measures 75” X 38” X 30”.
In 2007 Job was removed from the grounds of Herron School of Art & Design, since it had only been on temporary loan. However, by 2008 sufficient financial donations had been obtained (from Jane Fortune, Dr. Robert Hesse, William Fortune Jr. and Joseph Blakley), to permanently obtain the piece, and it was re-installed at Herron.
The Leviathan is mentioned six times in the Tanakh, with Job 41:1–34 being dedicated to describing him in detail:
In Psalm 74 God is said to "break the heads of Leviathan in pieces" before giving his flesh to the people of the wilderness. In Psalm 104 God is praised for having made all things, including Leviathan; and in Isaiah 27:1 he is called the "wriggling serpent" who will be killed at the end of time.
Ancient Near Eastern origins
The Hebrew Leviathan was a development of the earlier Canaanitesea monsterLôtān or Litānu (Ugaritic: Ltn) described as a servant of the sea godYammu in the Baal Cycle discovered in the ruins of Ugarit. The account has gaps, making it unclear whether some phrases describe him or other monsters at Yammu's disposal such as Tunannu (the Biblical Tannin). Most scholars agree on describing Lôtān as "the fugitive serpent" (bṯn brḥ) but he may or may not be "the wriggling serpent" (bṯn ʿqltn) or "the mighty one with seven heads" (šlyṭ d.šbʿt rašm). Like Yammu's other servants and Yammu himself, Lôtān is defeated by the benevolent storm godBaʿal. His role seems to have been prefigured by the earlier serpent Têmtum whose death at the hands of the benevolent storm godHadad is depicted in Syrian seals of the 18th–16th centuryBCE.
Africa and De viris illustribus were partially inspired by Petrarch's visit to Rome in 1337. According to Bergin and Wilson (p. ix). It seems very likely that the inspirational vision of the Eternal City must have been the immediate spur to the design of the Africa and probably De viris illustribus as well. After returning from his grand tour, the first sections of Africa were written in the valley of Vaucluse. Petrarch recalls
The fact that he abandoned it early on is not entirely correct since it was far along when he received two invitations (from Rome and from Paris) in September 1340 each asking him to accept the crown as poet laureate. A preliminary form of the poem was completed in time for the laurel coronation April 8, 1341 (Easter Sunday).